1884 500-peseta banknote (July issue): what it is and what to do if you have one
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If you have in front of you a banknote on which it reads EL BANCO DE ESPAÑA, 500 PESETAS, and the date July 1, 1884, this is what you have: the banknote cataloged as Pick-32 and Edifil 290.
It is part of the July 1, 1884 issue: authorized on July 7, 1884, to circulate alongside the January issue due to an increase in the demand for banknotes, and dedicated entirely to Ministers of Finance and administrative reformers.
Here you have who or what appears on it, how to distinguish it from those that look like it, how to check if yours is original, and what to do if you want to sell it. You won't find prices here: I explain why below.
The Count of Floridablanca: who is the face on this banknote
José Moñino y Redondo, Count of Floridablanca (Murcia, 1728 - Seville, 1808), was Secretary of State to Charles III and the central figure of the Spanish enlightened reformism. He created the National Bank of San Carlos—the direct predecessor to the Bank of Spain—, promoted the Imperial Canal of Aragon, and ordered the first modern census of the country.
The banknote has a detail that makes it unmistakable and which is worth remembering if you are identifying yours: to the left of the portrait appears a young girl with a dog in her arms. It is one of the most recognizable scenes in all of 19th-century Spanish numismatics.
Banknote Profile
| Face value | 500 pesetas |
|---|---|
| Date of issue | July 1, 1884 |
| Pick Catalog | P-32 |
| Edifil Catalog | 290 |
| Printer | Banco de España workshop, Madrid |
| Mintage | 300,000 copies |
| Dimensions | 147 × 100 mm |
| Put into circulation | January 1898 |
| Obverse | A young girl with a dog in her arms to the left and the bust of José Moñino y Redondo, Count of Floridablanca, black print on a light green background |
| Reverse | Light violet print with geometric designs and a crown with "500 PESETAS" |
| Signatures | Francisco de Cárdenas y Espejo, Benito Fariña Cisneros, and Fernando Pérez Casariego |
How to tell if yours is original
It is worth knowing this first and foremost, because far more reproductions than originals circulate of Spanish banknotes from this era: collector's prints from the seventies and eighties, catalog facsimiles, and press reprints.
This banknote was engraved and printed at the Banco de España workshop in Madrid, using intaglio technique on linen paper. This leaves specific marks that a modern reproduction does not have:
- Raised ink. Pass your fingertip over the portrait, the numbers, and the letters of the title: on an original, you can feel the raised texture of the ink. An offset-printed facsimile is completely flat.
- Engraved line, not screening. With a ten-power magnifying glass, the original portrait is rendered in fine, continuous lines. If you see a grid of dots, it is a modern print.
- Watermark in the paper pulp. When held up to the light, it should appear as if formed within the paper, not printed on top.
- Cotton linen paper, rough and crisp when shaken. Modern coated paper is smooth and cold.
Specific checks for this banknote
- Measure it. This banknote measures 147 × 100 mm. Photographic copies almost always lose two or three millimeters, so a ruler resolves many doubts in ten seconds.
- Check the exact motif. On the obverse — a young girl with a dog in her arms to the left and the bust of José Moñino y Redondo, Count of Floridablanca, black print on a light green background. On the reverse — light violet print with geometric designs and a crown with "500 PESETAS."
- Look at the three signatures. On this banknote, they correspond to Francisco de Cárdenas y Espejo, Benito Fariña Cisneros, and Fernando Pérez Casariego. A signature that does not match points to another issue or a reproduction.
- Keep the mintage in mind. 300,000 copies were printed, but that was over 140 years ago and the vast majority were withdrawn and destroyed.
I will confirm it for you for free. If it turns out to be a reproduction, I will tell you regardless: I gain nothing by making you believe otherwise.
Original or facsimile? I will tell you today, with no obligation
WhatsApp +34 644 54 98 79
info@iberoamericanabanknotes.com
What makes it worth more or less
For this banknote, as with the entire 19th-century series, preservation is key, followed closely by repairs: a washed, pressed specimen with taped tears or trimmed margins loses a great deal of value, even if it "looks better."
I do not publish price ranges, and I will explain why: the value depends entirely on the specific specimen, and that does not fit into a table. A generic figure from the internet only serves to cause disappointment. Send me photos and I will appraise your banknote, not "one like yours."
And before showing it to anyone: do not iron it, do not wash it, do not tape anything with scotch tape, and do not put it in soft PVC. All four things are irreversible. I explain this in detail in the guide to selling old banknotes.
How I buy it from you
You send me photos via WhatsApp —obverse, reverse, a detail of the numbering, and one held up to the light— and I will reply in less than 24 hours telling you what you have and, if I am interested, with a firm offer. I pay for the shipping, and I will transfer the funds the same day I receive and verify the piece; if it does not match the photos, I will return it to you at my own shipping expense.
I am Fran, from Iberoamericana Banknotes, an authorized PMG dealer. I can also appraise it for you for insurance or inheritance purposes, without you selling anything, and I can manage the PMG grading or consignment for you.
It doesn't matter where you live: I buy throughout Spain and the process is the same. If you are in Asturias, I can also come to your home to see it at no cost, or we can look at it calmly in my shop in Gijón, at Calle Cabrales 77, by appointment.
Frequently asked questions
Who is featured on the 1884 500 pesetas banknote?
The Count of Floridablanca. On the obverse — a young girl with a dog in her arms to the left and the bust of José Moñino y Redondo, Count of Floridablanca, black print on a light green background.
How many were printed?
The mintage was 300,000 copies. Beware of a common misconception: a high mintage in the 19th century does not mean that many remain today. These banknotes were systematically withdrawn and destroyed, and what counts is how many survive, not how many were made.
How do I know if mine is original or a reproduction?
The fastest way: look at the portrait with a magnifying glass (continuous engraved line in an original, grid of dots in a copy) and run your finger over the letters looking for relief. If you have doubts, send me photos and I will tell you for free, even if it turns out to be a facsimile.
How much is the 1884 500 pesetas banknote worth?
It depends entirely on the specimen: preservation, margins, and any repairs move the price drastically. I do not give out blind figures because they would not be honest. With photos, I can tell you what yours is worth in less than 24 hours.
Do you buy it even if it is circulated or has defects?
Yes, as long as it is original and not restored. For banknotes from this era, honest circulation is not a problem; what truly penalizes value is a repair.
The other banknotes from this issue
- 25 pesetas banknote of 1884 (July issue) — Santillán
- 50 pesetas banknote of 1884 (July issue) — Bravo Murillo
- 100 pesetas banknote of 1884 (July issue) — Alejandro Mon
- 1000 pesetas banknote of 1884 (July issue) — the Marquis of Ensenada
Other 500 pesetas banknotes from the Banco de España
If you aren't sure which one yours is, compare it with these: they are all 500 pesetas but from different issues.
- 500 pesetas banknote of 1874 — Goya
- 500 pesetas banknote of 1875 — female allegories
- 500 pesetas banknote of 1876 — Lope de Vega
- 500 pesetas banknote of 1878 — Pablo de Céspedes
- 500 pesetas banknote of 1880 — Claudio Coello
- 500 pesetas banknote of 1884 (January issue) — Mendizábal
- 500 pesetas banknote of 1886 — Goya
- 500 pesetas banknote of 1903 — Mercury
- 500 pesetas banknote of 1907 (January issue) — "the medallion"
- 500 pesetas banknote of 1907 (July issue) — Alcázar of Segovia
- 500 pesetas banknote of 1927 — Isabel the Catholic
- 500 pesetas banknote of 1928 — Cardinal Cisneros
- 500 pesetas banknote of 1931 — Juan Sebastián Elcano
- 500 pesetas banknote of 1935 — Hernán Cortés
- 500 pesetas banknote of 1936 (Burgos) — Salamanca Cathedral
- 500 pesetas banknote of 1938 (Burgos) — Santiago Cathedral
- 500 pesetas banknote of 1940 (January issue) — Juan de Austria
- 500 pesetas banknote of 1940 (October issue) — The Burial of the Count of Orgaz
- 500 pesetas banknote of 1946 — Francisco de Vitoria
- 500 pesetas banknote of 1951 — Mariano Benlliure
- 500 pesetas banknote of 1971 — Jacinto Verdaguer
General guide: selling old Banco de España banknotes. If you have more pesetas stored at home, see which peseta banknotes and coins have value.
Send me a photo of the obverse and another of the reverse and I will tell you today what you have.
WhatsApp +34 644 54 98 79